Centerline Acoustics
World's Finest Stage Monitors
CA8MW
8" 2-Way Coaxial Mini Stage Monitor
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Specs
Coverage Pattern.............................................................. 80° conical
Operating Frequency Range …................................100Hz –18kHz
Sensitivity @ 1M ................................................................94 dB SPL
Maximum Output ........112 dB SPL Cont., 119 dB SPL Program
Input Power Ratings ............260 W continuous, 420 W program
Nominal Impedance .............................................................. 8 ohms
Recommended Filter.........….100 Hz HP @ 24 dB/ Butterworth
Drivers ..............................................................................1 x 8” Coaxial
Connectors.……............................................................................. 2-NL4
[Pins 2+/2- Wired Pass-Through]
Enclosure Material.........13ply Marine Grade Void-free Plywood
Finish….………………......................…………….…Black Polyurea Coating
Possible Angles...………...............…………….30, 60, and 90 Degrees.
Dimensions….………………...........................…….. 10 x 10 x 10 Inches
Weight:…….……………………...............................…………………………..17lbs
Warranty…….…………………...............................……………………... 5 Years
The CA8MW Mini Stage Monitor is our longest-running, and by far the most popular model we make. This is the one that started it all. What makes it so special is, well, everything about it. Small size, high output, focused dispersion pattern, Made in USA world-class build quality, unparalleled clarity, total uncolored accuracy, and unassuming appearance. This IS the ultimate vocal stage monitor!
Additionally, if you're a guitarist using a modern modeling or profiling guitar system like a Kemper, Helix, AxeFx, or similar unit and want to make your soundman love you while still getting great tone, this is the ticket. This is what the other FRFR speakers on the market only wish they could be. Keyboard players…same for you! A pair of these in stereo is simply STUNNING!
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Another cool feature that all our wedges share is the pass-through wiring on the #2 pins of the connectors. Run two mixes down one of our custom 4-conductor cables into two wedges and enjoy the incredible benefits of instruments in one wedge, and vocals in the other. Or, the dry signal in one, and the reverb and delay in the other. If you are not familiar with this, once you try it you won't go back.
This is the Swiss Army Knife of stage monitors because you can do SO much with it. Too many applications to list. There’s simply nothing else like it on the market today. Designed and built to be a lifetime purchase!